Paramount+ has officially greenlit Frisco King, a Tulsa King spinoff starring Samuel L. Jackson, with production set to begin in late March 2026 in Fort Worth, Texas. The eight-episode series, written entirely by Taylor Sheridan, will follow Jackson’s character as he starts anew in Frisco, Texas, after a prison encounter with Sylvester Stallone’s Dwight Manfredi Parade.
The entertainment landscape shifted decisively with the announcement of Frisco King, a direct spinoff from the critically acclaimed Tulsa King. This move cements Taylor Sheridan‘s reputation as television’s most reliable architect of gritty, character-driven crime sagas, having previously assembled A-list ensembles for Yellowstone Parade, 1883, and 1923. Now, cinematic legend Samuel L. Jackson enters the fold, promising to bring his unparalleled gravitas to a new chapter in Sheridan’s expanding universe.
Frisco King (originally titled NOLA King) introduces Russell Lee Washington Jr., a figure whose path intersects with Dwight Manfredi—Sylvester Stallone’s New York mobster—during a decade-long federal prison sentence. Upon release, Washington is dispatched to Tulsa by the Renzetti crime family with a simple order: eliminate Manfredi. Instead, witnessing the empire Dwight built from scratch inspires Washington to seek his own second chance, leading him to Frisco, Texas, where he will build his own kingdom Parade. Jackson also serves as an executive producer alongside Sheridan and Stallone, ensuring the character’s evolution remains tightly woven into the creative vision.
Production is slated to commence in late March 2026 in Fort Worth, Texas, and surrounding areas, leveraging the Lone Star State’s diverse landscapes to authentically render Frisco’s emerging criminal ecosystem Parade. The first season will consist of eight episodes, a standard arc for Sheridan’s Paramount+ ventures, allowing for a densely plotted narrative without filler. In a decisive creative move, Taylor Sheridan will pen every episode himself, a commitment highlighted by Matt Thunell, President of Paramount Television Studios: “Having him pen all episodes of the season with his singular voice will be a treat for fans of Tulsa King and audiences around the world” Parade.
While an official premiere date remains unannounced, industry patterns suggest a late 2026 or early 2027 debut. The series will stream exclusively on Paramount+, the platform that has become synonymous with Sheridan’s brand of modern Western noir Parade. No word yet on a second season, but given Sheridan’s tendency to plan multi-season arcs and the star power involved, renewal seems probable contingent on viewership metrics.
The Cast Assembled: Jackson’s Crew in Frisco
Beyond Jackson’s commanding lead, Frisco King has quietly built a formidable supporting ensemble that blends Sheridan staples with rising talent Parade:
- Asa Germann as Teddy: The sharp, entrepreneurial college dropout who catches Washington’s eye. Germann, known for The Boys and Gen V, recently appeared in Scream 7, bringing a volatile energy to the role.
- Kai Caster as Keith: The polite valet at the Sandman Hotel. Caster has a history with Sheridan’s world, having portrayed a young Kayce in Yellowstone, and also appeared in Magnum P.I. and American Horror Story.
- Lilah Pate as London: A cheerleading “goddess” recruited by Washington, unafraid to wield her charm as a weapon. Pate’s credits include The Summer I Turned Pretty, Outer Banks, and The Runaways.
- Savanna Gann as Avery: London’s fellow cheerleader and confidante, also drawn into Washington’s orbit. Gann’s previous work includes Rebel Moon and Tell Me Lies.
This casting pattern—mixing established Sheridan collaborators with fresh faces—mirrors his successful formula in Tulsa King and underscores a deliberate effort to build a sustainable franchise ecosystem rather than a one-off vehicle.
Why ‘Frisco King’ Represents a Strategic Power Play
Samuel L. Jackson‘s involvement transcends mere star power; it signals a convergence of two entertainment titans. Jackson, whose career spans over five decades with iconic roles in Pulp Fiction, Jurassic Park, and the Marvel Cinematic Universe Parade, brings a credibility and audience reach that few actors can match. His participation guarantees attention from casual viewers and cinephiles alike, broadening Frisco King‘s potential beyond the core Tulsa King fanbase.
For Sheridan, this spinoff validates his “Sheridan-verse” ambition, proving that his storytelling can sustain multiple leads and geographic settings within the same criminal mythology. The decision to have Jackson’s character originate from the prison subplot of Tulsa King demonstrates meticulous long-term planning, rewarding loyal viewers with a deeper continuity while remaining accessible to newcomers. Furthermore, Sheridan writing all eight episodes ensures a consistent, uncompromised vision—a rarity in franchise television where showrunner turnover often dilutes tone.
The Fort Worth location also carries symbolic weight. By moving from Tulsa’s Oklahoma backdrop to the affluent, rapidly growing suburbs of Frisco, Texas, Sheridan shifts the socio-economic stakes. This isn’t a blue-collar mob story; it’s about a kingpin infiltrating a polished, ambitious community, offering fresh visual and thematic textures compared to Tulsa King‘s more working-class milieu.
The ‘Tulsa King’ Template: A Proven Success Model
Tulsa King has been a resounding success for Paramount+, consistently ranking among the platform’s most-watched series. Its blend of fish-out-of-water comedy, old-school mob ethos, and Sheridan’s signature moral ambiguity created a unique niche. Frisco King directly inherits this formula but swaps Stallone’s aging, street-smart Don for Jackson’s more cerebral, strategically-minded operator. This isn’t a rehash; it’s a deliberate tonal variation that explores different facets of the American crime dream.
The announcement also arrives as Sheridan’s overall production slate faces scrutiny for its demanding workload. His simultaneous involvement in Yellowstone spinoffs, Mayor of Kingstown, and Tulsa King raised questions about sustainability. Handing Frisco King entirely to Sheridan—with Jackson as a producing partner—suggests Paramount+ is doubling down on his auteur status, betting that his singular voice is the franchise’s core asset.
What This Means for the Future of Television Franchises
Frisco King exemplifies the new era of “prestige spinoffs,” where successful series don’t end but radiate outward with distinct leads and settings. Unlike traditional spinoffs that often feel like diluted repeats, Sheridan’s approach treats each city—Tulsa, Frisco, potentially others—as a unique kingdom with its own rules. This model maximizes intellectual property value while offering creative variety, a balance networks and streamers desperately seek.
With Jackson’s box-office draw and Sheridan’s guaranteed creative control, Frisco King has the ingredients to become Paramount+’s next flagship. It also positions Jackson for awards consideration in the limited series/lead actor categories, a space he has yet to dominate despite a legendary career.
As production gears up in Texas, all eyes will be on how Jackson interprets a character born from Stallone’s shadow. The synergy between Sheridan’s world-building and Jackson’s charisma could redefine what a television spinoff can achieve.
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