Actor Pete Davidson and visionary director David Leitch are spearheading efforts to highlight the incredible skill and dedication of stunt performers through the second annual 87North Stunt Design Showdown. Their collaboration on Davidson’s upcoming film, “How to Rob a Bank,” has ignited a passionate call for greater recognition of stunt work as a vital art form, especially as the Academy Awards prepare to introduce a new stunt category.
For any true fan of action cinema, the magic isn’t just in the script or the stars; it’s often forged in the breathtaking, gravity-defying feats performed by unsung heroes behind the scenes: the stunt teams. In a significant move to elevate these essential contributors, director David Leitch, known for his work on the John Wick franchise and “The Fall Guy,” alongside actor Pete Davidson, is championing the second annual 87North Stunt Design Showdown. This isn’t just a competition; it’s a powerful statement about the artistry and grueling work that goes into making our favorite action sequences come alive.
The 87North Stunt Design Showdown: A Launchpad for Future Legends
Launched by 87North, the renowned production company behind hits like “Nobody” and the beloved John Wick series, the Stunt Design Showdown is quickly becoming a pivotal event in the film industry. Now in its second year, the competition offers an unparalleled opportunity for aspiring stunt performers to showcase their skills, gain invaluable experience, and connect with industry veterans. Co-founded by David Leitch and Kelly McCormack, 87North’s initiative aims to open new doors for the next generation of stunt coordinators, ensuring a vibrant future for action filmmaking.
The competition itself is a rigorous test of creativity and precision. Over 56 hours, participating teams are given the same script and production timeline, fostering a level playing field where talent truly shines. The focus is squarely on:
- Storytelling: How effectively the stunts advance the narrative.
- Choreography: The creativity and fluidity of movement.
- Cinematic Execution: The technical skill in making the stunts visually impactful on screen.
This intense format requires not only creative thinking but also the ability to execute complex stunts flawlessly under immense pressure.
Pete Davidson’s Revelation: A Newfound Respect for Stunt Teams
Pete Davidson, stepping into more action-oriented roles with films like “How to Rob a Bank,” (slated for release in 2026), has developed a profound appreciation for the world of stunt work. His collaboration with David Leitch on the upcoming film offered him an inside look at the intricate and demanding nature of the profession. Davidson shared his awe with Variety, highlighting the camaraderie and meticulousness of the stunt community.
“I was just amazed at how the stunts team are like a family, and they were so excited and precise about every single movement,” Davidson remarked, adding that the crew’s dedication extended to making personal adjustments for his performance. “They were very intentional about every small detail and adjusted certain things because of my height or weight or lack of skill. There was a lot of love, grace and support, and I felt really comfortable quickly.” This sentiment resonates deeply within fan communities who often celebrate the visible stars but sometimes overlook the crucial ensemble behind them.
Davidson’s candid comments underscore a common oversight among general audiences. “People really don’t understand how hard these guys work,” he stated, urging viewers to recognize the immense talent and effort that define memorable action sequences. His advocacy, coming from an actor transitioning from comedy to action, brings a fresh and impactful voice to the call for greater appreciation.
David Leitch: An Artist Championing an Art Form
For David Leitch, the Stunt Design Showdown and his ongoing advocacy are more than just a passion; they’re a mission to establish stunt coordination as a recognized art form within the film industry. Leitch, whose directorial career blossomed from a background in stunt work, understands the creative and technical demands firsthand. He equates the role of stunt coordinator with other pivotal creative positions, such as costume designers and production designers.
“We are artists,” Leitch asserted, emphasizing that stunt departments don’t just perform physical feats but “design the action sequences and create something to present to the director to curate, and it’s a very artistic process.” The sheer quality of this year’s submissions, which crowned Team Code 10-10 as the grand prize winner, made selecting a victor incredibly challenging for Leitch. Prizes included a one-year membership to 87North Action Design, a professional workshop with Narrator Inc., and a DJI camera package.
Leitch’s efforts are part of a broader movement gaining significant traction. The exciting news that the Academy Awards will introduce a Best Stunt Design category starting in 2027 marks a monumental step forward. This recognition at Hollywood’s highest level is a testament to the tireless campaigning by figures like Leitch and the undeniable impact of stunt professionals on cinematic storytelling.
The Future of Stunt Work: A Recognized ‘Team Sport’
Both Davidson and Leitch envision a future where stunt performers receive the glory they rightfully deserve. Davidson passionately articulated that filmmaking is a “team sport,” with a “chorus of people” responsible for the dynamic action sequences we enjoy. While actors and directors often receive much of the public’s acclaim, the hidden figures of the stunt world are equally, if not more, integral to the spectacle.
Leitch hopes that the increased recognition, spurred by events like the Stunt Design Showdown and the new Academy Award category, will inspire a new generation to pursue stunt coordination with the artistic gravitas it merits. This shift in perception is vital for fans and industry insiders alike, encouraging a deeper appreciation for the complex, dangerous, and brilliantly creative work that defines the best of action cinema.
